Samantha Macher M.F.A. ’12 won the Gold Award for Best Writer for To the New Girl, based on the critically acclaimed play of the same name that she wrote in 2010.
The film, which was made by an all-woman cast and creative team, also won a Gold Award for Best Feature – First Time Filmmaker for directors Aurora J. Culver, Ambika Leigh, and Adriana Gonzalez-Vega, a Silver Award for Best Actress (Skyler Vallo), and an Honorable Mention for Best Editing (Hillary Wills).
“It’s such an honor to be recognized by the Queen Palm Film Festival,” Macher told Digital Journal. “We’re so appreciative that they recognized so many creative and technical elements of the project and are looking forward to celebrating (virtually) with our cast and crew.”
An anthology film released by New Girl Pictures and available through Amazon Prime Video, To the New Girl follows ten women scorned as they directly address their exes’ new wives and lovers at an open mic night in Los Angeles. Created by a group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the 80-minute movie taps into a social and political climate that’s left women poised to take back their voices and be heard.
“What I love about the project is that Samantha’s writing really connects with audiences on a universal level and our actresses bring the words to life with these phenomenal performances,” producer Laura Hunter Drago said last summer. “I’m so excited that we’re able to share that with audiences and spark some interesting conversations about how we all process heartbreak and relationships.”
Macher’s play was first produced at SkyPilot Theatre in Los Angeles and at Studio Roanoke with the Playwright’s Lab, and went on to earn enthusiastic reviews, including “A bracing blitz of pure estrogen” (Los Angeles Times), “Smart and sophisticated, witty and charming” (NoHo Arts District), and “A provocative study of the deep pain of ‘cheating’ by your ‘one and only'” (Tolucan Times).
Funded through a Kickstarter campaign by supporters of women in entertainment, To the New Girl was filmed in just three days on location in Los Angeles with a budget under $20,000.
The Hollins-Mill Mountain Winter Festival of New Works, which each January showcases compelling new plays by students from the Playwright’s Lab at Hollins University, is headed online for 2021.
“Because of the ongoing coronavirus pandemic, we will be producing and performing the entire Winter Festival of New Works through the magic of Zoom,” said Ernie Zulia, artistic director and chair of the Hollins theatre department. Along with Playwright’s Lab Director Todd Ristau, he co-leads the Hollins Theatre Institute, which produces the Winter Festival annually in partnership with Roanoke’s Mill Mountain Theatre.
Taking place January 21 – 31, this year’s event is featuring two fully produced plays and two thesis play readings by Hollins playwrights. Each Zoom livestream is free and open to the public, but advanced reservations are encouraged as audience capacity is limited.
The 2021 schedule includes:
Missing Red Girls, written and directed by Max Bidasha
January 21-23, 7:30 p.m.
January 24, 2 p.m.
Based on true stories about Missing and Murdered Indigenous Women, and inspired by activist, storyteller, and mother Jennifer James, the play follows two families on their journeys to find their loved ones who were stolen from them. The families endure racism, many obstacles, and very few resources. Reserve tickets at BrownPaperTickets.com.
Saturday Fringe Spotlight: The Care Taker, written by Stephanie Goldman and directed by Michelle LoRicco
January 23, 2 p.m.
The complicated relationship of a mother and daughter gets even more complicated in this twisted love story when what is hidden in the closet is forced to come out. A wound that is hidden can never be healed. Reserve tickets at BrownPaperTickets.com.
Shadow of the Son, written by Kate Leslie and directed by Lauren Brooke Ellis
January 28-30, 7:30 p.m.
January 31, 2 p.m.
Artemis is the goddess of the moon, and her brother, Apollo, is the god of the sun. Expected to live up to the ideals of the immortals, Artemis longs for freedom and the opportunity to chart her own path. But when she builds her own world away from that of her father, has she simply traded one set of impossible expectations for another? Reserve tickets at BrownPaperTickets.com.
Saturday Fringe Spotlight: The Magic Stick, written by Erica Zephir and directed by Breana Venable
January 30, 2 p.m.
In this memory play, narrator Mary tells the story about returning home to her mother to escape spousal abuse. As she searches for happiness and fulfillment, she encounters many adversaries, and the aura of her husband haunts her. Reserve tickets at BrownPaperTickets.com.
To the New Girl, written in 2010 by Samantha Macher M.F.A.’12, is available now though Amazon Prime Video Direct and Vimeo on Demand. The play was first produced at SkyPilot Theatre in Los Angeles and at Studio Roanoke with the Playwright’s Lab, and went on to earn enthusiastic reviews, including “A bracing blitz of pure estrogen” (Los Angeles Times), “Smart and sophisticated, witty, charming” (NoHo Arts District), and “A provocative study of the deep pain of ‘cheating’ by your ‘one and only'” (Tolucan Times). The Roanoke Times noted, “If your thing is honest stories well told, New Girl is the play to see,” while LA Weekly simply remarked, “GO!”
“Live theatre is so important,” said Macher, who has had more than 40 productions of her written work staged around the world. “At its best, you’re in the moment with these characters. Though we can’t exactly replace the experience of being with our audience in person, the film is true to the medium. It’s intimate, simple, and heartfelt. We hope that those watching at home get a similar feeling as those who saw it on stage through the years.”
An anthology feature film released by New Girl Pictures and featuring an all-female creative team and cast, To the New Girl follows ten women scorned as they directly address their exes’ new wives and lovers at an open mic night in Los Angeles. Created by a group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that’s left women poised to take back their voices and be heard.
“What I love about the project is that Samantha’s writing really connects with audiences on a universal level and our actresses bring the words to life with these phenomenal performances,” said producer Laura Hunter Drago. “I’m so excited that we’re able to share that with audiences and spark some interesting conversations about how we all process heartbreak and relationships.”
To the New Girl‘s ensemble cast includes Charlotte Evelyn Williams (NCIS, Preacher, Baskets), Lavetta Cannon (Into the Dark, American Heiress), Mara Klein (Casual, Change of Heart), Kelly L. Goodman (Married with Children), Samantha Carro (The Guest House), Leslie Simms (Jane the Virgin), Skyler Vallo (True Blood, How I Met Your Mother, The A List), Alexandra Boylan (Bellflower, Catching Faith), Dawn Noel (NCIS, Glee, Undercover), and in her feature film debut, Lauren Emily Castle.
Funded through a Kickstarter campaign by supporters of women in entertainment, To the New Girl was filmed in just three days on location in Los Angeles with a budget under $20,000.
The works of two Hollins playwrights were recently showcased at an event that champions gender parity, diversity, and inclusion in the American theatre.
She Made Space, written and performed by Meredith Cope-Levy ’12, M.F.A. ’18, and And Then the Moon Swallowed the Sky by Rachel Nelson ’07 were featured at the 2019 Women’s Theatre Festival (WTF), held July 12 – 14 in Raleigh, North Carolina. The WTF stages productions and readings that are written and directed by women and feature casts and crews that are at least 50 percent women.
She Made Space is an honest and touching story spotlighting a twenty-something intellectual American lesbian tourist who arrives in Paris at the turn of the 20th century. “The play traces the steps she has taken to get there in consideration of the occupation of space – both inside, and outside, of herself,” Cope-Levy explains.
“There was something incredibly gratifying about performing She Made Space, a show that celebrates queer communities and identity, in a queer-centric space,” she says. “The intimacy of it allowed the audience to interact with me in a way that has never really happened before. This is the first time I think this show has ever seen a predominantly female and queer audience. Having not performed the show myself since we workshopped it in 2016, it was also meaningful for me personally to put this character back on and share my words in such a physically personal way.”
A powerfully poignant play, And Then the Moon Swallowed the Sky explores moving through grief, together and alone. “On the eve of a total eclipse of the sun, three women throughout history each contemplate the things and people they have lost,” Nelson says. “As the light begins to fade, their stories become deeply intertwined in unexpected ways.”
She adds that crucial work was done with the production last winter in order to prepare it for venues such as the WTF. “This show was in residence at Hollins in January of this year, and that residency gave us incredible clarity about rewrites, which really paid off in this production. It also generated support with the students – after having seen it through multiple drafts, they really care about this show and have a vested interest in where it goes next.”
The staging of each play was made possible by all-Hollins casts and crews. She Made Space was directed by Lauren B. Ellis M.F.A. ’20 and stage managed by Shelby Love M.F.A. ’20. “Lauren has done such a brilliant job directing this production and this show is a true labor of love for us both,” Cope-Levy says. “We are hoping to take it back on the road to other fringe festivals.”
And because of the efforts of Susie Young ’10, Natalie Pendergast ’17, Kendall Comolli ’20, and Megan Gilbert ‘20, the production of And Then the Moon Swallowed the Sky persevered despite a significant setback.
“I had to evacuate my home in New Orleans due to Hurricane Barry the day before the festival, so I could only contribute long distance,” Nelson says, “and the team really had to rally at the last second. Susie stepped up as a director and performer, and her genius and fortitude really made this happen. She and I have been working on this play for three years now, and even though I wrote it, it’s based on a lot of conversations and explorations that we did together into grief. In so many ways she’s the heart of this project.
“I also want to thank Natalie for her performance; Kendall (the show’s original stage manager), who filled in as an actor; and Megan, who took over as stage manager. I am incredibly proud of all of them.”
“Of course we were bummed to not have Rachel with us,” Cope-Levy adds, “but her team demonstrated how important it is for theatre artists to be interdisciplinary – and how well Hollins prepares us for that.”
The Artistic Home, an entity designed by Nelson and Hollins Theatre Chair Ernie Zulia, is a major force behind the success of the two plays. “It supports recent Hollins grads through their first years in the professional theatre community by offering them connections with more established alumnae and current students. At the same time, they make exciting new theatre,” Nelson explains. “The WTF is a perfect example of the kind of work The Artistic Home does. There were several generations of Hollins family in collaboration – current Hollins students worked alongside Hollins professors and alumnae of the theatre program. This kind of cross-generation pollinating creates a team that mutually supports the growth of our young professional alumnae and enriches the education and professional experience of current Hollins students.”
“I physically felt my heart burst in witnessing The Artistic Home’s manifestation in these two back-to-back productions,” Cope-Levy says. “I also want to acknowledge the Playwright’s Lab at Hollins for its ardent support of She Made Space from our early workshops all the way through to this fringe festival tour.”
Nelson notes that “writing a play is often an isolating experience,” but her ties to Hollins ensure she doesn’t feel alone during the process. “I know I have the support of a community, and that I’m not writing into a vacuum. Events like this festival always remind me that the Hollins community is so much bigger than just the campus. It really does stretch around the world.”
Top Photo: Meredith Cope-Levy ’12, M.F.A. ’18 performs She Made Space, which she wrote.
The NPATP Award comes with a cash prize; membership in the Dramatists Guild and the Playwrights’ Center of Minneapolis; an invitation to attend the National Festival at the Kennedy Center, April 16 – 19; and a professional development summer residency. McCord’s play was nominated from among eight Kennedy Center college regions for the national award.
Moving tells the story of several couples over 30 years as they move in and out of a single apartment in the Silverlake neighborhood of Los Angeles. The story was inspired by some of McCord’s own adventures as a struggling Hollywood screenwriter after graduating from the UCLA Film School. The play was first developed as a staged reading for the Playwright’s Lab, where McCord is pursuing his Master of Fine Arts (M.F.A.) degree.
“We’re very proud of the recognition this play is receiving, and how that success reflects on the graduate playwriting program at Hollins,” notes Playwright’s Lab Program Director Todd Ristau, who will be directing a full production of Moving as part of the Hollins – Mill Mountain Theatre Winter Festival of New Works in January 2020. “You learn the most about a play when you are in production and I’m really looking forward to helping Sean continue to develop the piece in rehearsal.”
McCord, a resident of Charlottesville, plans to start his M.F.A. thesis play at Hollins this summer. “It’s been an amazing journey,” he says. “Moving was the first full-length play I wrote after my initial year at Hollins, utilizing all the tools I was given in my early classes, and it has continued to follow me in my development as a playwright.”
Moving premiered in Charlottesville in 2017 as the inaugural production of the Charlottesville Playwrights Collective, a theatre company started by McCord and other local playwrights dedicated to the production of new works by area writers. In addition to the NPATP Award, Moving has won the Southeastern Theatre Conference 2018 Charles M. Getchell New Play Award and the 2019 David L. Shelton Award at the Kennedy Center American College Theatre Festival Region IV.
The artists were recognized at the 2018 KCACTF National Festival, held April 9 – 14 at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
This year’s winners include:
Outstanding Director of a New Work: Todd Ristau for Cold by Ben Jolivet
Outstanding Production of a New Work: Cold by Ben Jolivet
Distinguished Production of a New Work: Absence Makes the Heart by Sean Abley
Distinguished Performance and Production Ensemble: Cold by Ben Jolivet
Distinguished Performance by an Actress in a Play: Bonny Branch in Cold by Ben Jolivet
Distinguished Performance by an Actress in a Play: Emma Sperka in Cold by Ben Jolivet
Commendation for Distinguished Achievement in Playwriting: Ben Jolivet for Cold
Commendation for Distinguished Achievement in Performance: Susie Young in Absence Makes the Heart by Sean Abley
Commendation for Distinguished Achievement in Playwriting: Meredith Dayna Levy for She Made Space
Commendation for Distinguished Achievement in Directing: Lauren Brooke Ellis for She Made Space by Meredith Dayna Levy
Commendation for Distinguished Achievement in Dramaturgy: Katie Stueckle for She Made Space by Meredith Dayna Levy
Commendation for Distinguished Achievement in Performance: Meredith Dayna Levy for She Made Space by Meredith Dayna Levy
The KCACTF has served as a catalyst for improving the quality of college theater in the United States for nearly 50 years. Featuring a network of more than 700 academic institutions throughout the country, the organization celebrates the finest and most diverse work produced in university and college theater programs and encourages institutions of higher learning to give distinguished productions of new plays, especially those written by students. The KCACTF honors excellence of overall production and offers student artists individual recognition through awards and scholarships in playwriting, acting, dramatic criticism, directing, and design.
Photo caption: Todd Ristau (right), director of the M.F.A. program in playwriting at Hollins, is congratulated on receiving the KCACTF’s 2018 Outstanding Director of a New Work award.
Todd Ristau, who has guided the M.F.A. program in playwriting since its inception in 2007, has received the KCACTF Gold Medallion, one of the most prestigious honors in theatre education.
The medallion recognizes “individuals or organizations that have made extraordinary contributions to the teaching and producing of theatre and who have significantly dedicated their time, artistry, and enthusiasm to the development of the KCACTF.”
In announcing the award, the KCACTF praised Ristau for having “demonstrated innovative leadership in the field of new play development and [making] a tremendous impact in the vitally important area of nurturing playwrights and new plays. Todd Ristau works tirelessly to bring quality instruction and experiences to students. An innovative and engaging teacher, he has developed a program that truly puts students at the center, fostering the individual growth of each playwright’s style rather than turning out a specific type of playwright.
“One salient example of the Playwright’s Lab’s contributions is student Meredith Dana Levy, 2014 winner of KCACTF’s National Student Playwriting Award for her play Decision Height, which has been published by Samuel French and has enjoyed over 40 productions to date.”
“To say we are proud of Todd Ristau and all the members of the Hollins Playwright’s Lab is about as big an understatement that one could make,” Ernie Zulia, director of the Hollins Theatre Institute, told The Roanoke Times. “Receiving such an honor brings a national spotlight to Hollins and Roanoke, affirming our goal to be an ignition point for new work in the United States.”
This Roanoke Times editorial praises the annual Hollins Festival of New Works (July 22-24), which showcases new plays by writers from our Playwright’s Lab – and where audiences might get to see the next Hamilton in progress.
Mill Mountain Theatre’s Trinkle Main Stage will host Overnight Sensations, one of Roanoke’s most popular summer traditions, on Saturday, July 9, at 8 p.m. Admission is free and open to the public.
On Friday night, July 8, six playwrights will be randomly paired with six directors, who then randomly draw from a hat a variety of writing prompts and a pre-selected cast of six actors each. By 8 a.m. Saturday morning, each playwright has to write a ten-minute play incorporating the prompts. Last-minute changes are made in collaboration with the directors over breakfast, and the actors arrive at 11 a.m. to begin rehearsals. The curtain goes up at 8 p.m. Saturday night.
Todd Ristau, director of the Playwright’s Lab at Hollins University, created Overnight Sensations while serving as Mill Mountain Theatre’s literary associate in 2006. The Playwright’s Lab began co-producing the event the following year.
“The Hollins connection makes it possible for local writers and performers to share the stage with famous theatre artists from around the world as well as student playwrights pursuing their graduate degrees at the university,” Ristau explained.
This year’s playwrights include three members of the Playwright’s Lab: faculty member Megan Gogerty and M.F.A. students Eric Eidson and Lydia Stewart. Roanoke’s own Dwayne Yancey and local favorites Ben R. Williams and Samantha Macher round out the playwriting roster.
Special guest directors for Overnight Sensations are Bonnie Metzgar, interim director of Chicago’s American Theatre Company, and Bob Moss, who was recently honored as a “Living Legend” by the Off-Broadway Association. Patrick Kennerly, Lauren B. Ellis, Susie Young, and Maura Campbell, all students in the Playwright’s Lab’s Certificate Program in New Play Directing, will also serve as directors.
For more information, contact the Mill Mountain Theatre box office at (540) 342-5730.
Levy is currently pursuing her Master of Fine Arts degree in the Playwright’s Lab at Hollins. This is not the first time the KCACTF has acknowledged her achievements: In 2013, she won the National Partners of the American Theatre Playwriting Award, considered a gold medal, and the regional David Shelton Award for her original script, Decision Height. The following year, she received the Mimi and Harold Steinberg National Student Playwriting Award, which encourages college students to write for the stage by providing the opportunity for them to collaborate with actors, directors, and others through all stages of production, including rehearsals and performances.
Described as “whimsical comedy,” Coupler takes place in the London Underground, where the occupants of the last car on the Northern Line have lost parents, partners, and possibly themselves. They criss-cross through the heart of the Underground, holding on to what was and hoping for what might be.
The award also honors Playwright’s Lab Director Todd Ristau, who directed the production.
Coupler was staged during the 2016 Hollins-Mill Mountain Theatre Winter Festival of New Works, held in January.
Established in 1969, the KCACTF is a national theater program involving 18,000 students from colleges and universities nationwide. It serves as a catalyst in improving the quality of college theatre in the United States. The KCACTF has grown into a network of more than 600 academic institutions throughout the country, where theatre departments and student artists showcase their work.