Wilson Museum’s New Exhibition Showcases 2019 Artist-In-Residence

Hollins University’s 2019 Frances Niederer Artist-in-Residence is renowned for her images of family members, co-workers, friends, and herself – intense, honest, larger-than-life, close-range portraits.

The Eleanor D. Wilson Museum is featuring an exhibition of Diane Edison’s work in the Ballator-Thompson Gallery from January 17 through April 28.

Edison says she “came around to the idea of painting portraits as a way of finding myself,” and creates her art using color pencil on black paper. The intricately detailed works draw the viewer in for scrutiny, and offer an extreme psychological and physical depiction of the people within her circle. She earned her B.F.A. from the School of Visual Arts, New York, in 1976 and her M.F.A. from the University of Pennsylvania in 1986. She has been a member of the Lamar Dodd School of Art faculty since 1992. Her college textbook, Dynamic Color Painting for the Beginner, was published in New York City and the United Kingdom in 2008 and has since been produced in Spanish and Chinese language editions.

Edison’s New York exhibitions have included the Forum Gallery, DC Moore Gallery, and the Tatischef Gallery. Her work has also been shown in the American Embassies in Russia and Chad; the Museum of Contemporary Art in Los Angeles, the Gwangju Biennale in South Korea; and other venues in the U.S. and abroad. She is a past recipient of the Anonymous Was a Woman Award and the Georgia Women in the Arts Recognition Award.

Established by an anonymous donor in 1997, the endowed Frances Niederer Artist-in-Residence program allows Hollins to bring a nationally recognized artist to campus each academic year. In residence during the spring semester, the visiting artist creates work in a campus studio and teaches an art seminar open to all students.

Located in the Wetherill Visual Arts Center, the Wilson Museum is open Tuesday – Sunday, noon – 5 p.m., and Thursdays, noon – 8 p.m. Admission is always free.


VTCSOM’s “The Influence of Women” Exhibition Showcases Hollins Artists

Works by Hollins University students highlight a new exhibition that explores and celebrates the many ways women affect their worlds.

Students in Associate Professor of Art Jennifer Printz’s Intaglio Printmaking class have contributed their creativity to “The Influence of Women,” which is on display at the Virginia Tech Carilion School of Medicine (VTCSOM) through March 1, 2019.

“Each student produced two amazing prints about women who have influenced them from friends, to family, to fictional heroines,” Printz explains.

The focus of the show was developed in appreciation for VTCSOM’s founding dean, Cynda Johnson, who is retiring at the end of this year.

Sponsored by VTCSOM’s Creativity in Healthcare Education program, “The Influence of Women” is one of three exhibitions held annually for local artists to showcase their works to the community and to reinforce to medical students the importance of having a community connection.

VTCSOM is located at 2 Riverside Circle in Roanoke.

 

Image: Rachel Jackson Hikaru, dry-point print with watercolor, 2018.


Hollins Names Diane Edison Artist-in-Residence for 2019

One of the country’s most prominent professors of studio art whose work has appeared nationally in New York, Philadelphia, and Atlanta, and internationally in Russia and Chad, will serve as Hollins University’s Frances Niederer Artist-in-Residence in 2019.

Diane Edison, who is professor of art at the University of Georgia’s Lamar Dodd School of Art, will spend Spring Term 2019 on the Hollins campus. The artist-in-residence program enables the university to bring a recognized artist to campus every year to work in a campus studio and teach an art seminar open to all students. During their time at Hollins, the artist-in-residence is a vital part of the university and greater Roanoke communities.

Edison, who creates her work using color pencil on black paper, focuses on portraiture with an emphasis on the autobiographical.  Her images are thematically narrative in presentation and psychological in nature. New York City’s Forum Gallery, DC Moore Gallery, and Tatischef Gallery; the Leeway Foundation in Philadelphia; and Clark Atlanta University in Georgia are among the U.S. venues where her art has been exhibited or collected. Overseas, her paintings have been on display in the official residences of the American ambassadors in Moscow, Russia, and N’djamena, Chad.

Edison’s exhibitions have been reviewed by The New York Times, The New Yorker magazine, the Atlanta Journal Constitution, the Philadelphia Enquirer, Art News, and the St. Louis Dispatch. Reproductions of her artwork were featured twice in Artists Magazine. In 2010-11, she traveled to Bulgaria as a Fulbright Scholar, and she is a past recipient of the Anonymous Was a Woman Award and the Georgia Women in the Arts Recognition Award. Her textbook, Dynamic Color Painting for Beginners, came out in 2008 and subsequently was published in the United Kingdom, China, and Spain.


Student Artists Showcased in New Voice Exhibit

Hollins University studio art majors Meera Chauhan ’19 and Ashley-Kate Meador ’18 are among ten emerging regional artists featured in the Sixth Annual New Voice Exhibit at the Floyd Center for the Arts in Floyd, Virginia.

The exhibition continues through March 31 and admission is free and open to the public.

Each year, the New Voice Exhibit highlights artists who are suggested by area college and university art instructors. Either current or former students, the artists may be just beginning their artistic journeys or changing their artistic paths is some major way. In addition to Hollins, this year’s artists come from Radford University and Virginia Tech as well as nominations by Floyd Center for the Arts Board and Gallery Committee members.

“What a fascinating show this is,” said Becky Lattuca, the center’s director of special programming. “Although we review the recommendations before inviting the artists to participate, we do not select the artwork. Instead, we ask each of them to surprise us with their choices. This approach allows the artists to highlight what they see as their most significant recent innovations, creating a uniquely diverse and thought-provoking representation of what these emerging artists have to say.”

Chauhan works in oil paint while Meador creates with textile.

The Floyd Center for the Arts is located at 220 Parkway Lane South in Floyd and is open Monday – Saturday, 10 a.m. – 5 p.m.


Artist-in-Residence is Powerful Visual Activist, LGBT Advocate

The 2017 winner of France’s top cultural honor will be teaching students, exhibiting her work, and leading a special symposium on the Hollins campus this spring.

South African photographer and activist Zanele Muholi will be Hollins’ 2018 Frances Niederer Artist-in-Residence during the university’s Spring Term, which begins January 31. The Artist-in-Residence program enables Hollins to bring a recognized artist to campus every year.  While in residence, they work in a campus studio and teach an art seminar open to all students. During their time at Hollins, the artist-in-residence is a vital part of the campus and greater Roanoke community.

Muholi has earned international acclaim for her efforts to document South Africa’s lesbian, gay, bisexual, and transgender (LGBT) community. In 2017, her work has been shown in galleries and museums in New York, Cape Town, London, Amsterdam, and Berlin. She is perhaps best known for her ongoing series and self-described “lifetime project” Faces and Phases, which includes black-and-white photographs of lesbian and trans South Africans. The series began in 2006 and was the basis for a 2014 book that featured 258 images from the project’s first eight years.

A new book of 100 self-portraits, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness, is scheduled for publication in April 2018. In November 2017, she was actively involved in New York City’s Performa 17, “a leader in commissioning artists whose work has collectively shaped a new chapter in the multi-century legacy of visual artists working in live performance.”

Muholi has earned numerous awards, most recently and most notably France’s Chevalier in the Ordre des Arts et des Lettres (Knight in the Order of Arts and Letters) for 2017, which recognizes those who have “distinguished themselves in the domain of artistic or literary creation or for the contribution they have made to art and literature in France and the world.” Upon receiving the honor, Muholi stated, “We work hard to create content that scholars and the rest of the world are able to use to highlight the many challenges faced by the LGBT communities….[It] is important to make sure that we unite the LGBT community so that people know that we too exist as professionals and as creators of great content.” Other honors include the 2016 Infinity Award from New York’s International Center of Photography, which recognizes major contributions and emerging talent in the fields of photojournalism, art, fashion photography, and publishing.

Highlighting Muholi’s residency at Hollins will be an exhibition of her work in the Eleanor D. Wilson Museum, February 8 – April 22. The exhibition, which is free and open to the public, will open with a presentation by Muholi on Thursday, February 8, at 6 p.m.

Muholi will also headline a symposium, “Becoming Visible – A Celebration of LGBTQ+ Lives,” on Friday and Saturday, April 13 and 14, in the Richard Wetherill Visual Arts Center. In addition to programs with Muholi, Boy Erased author Garrard Conley, and local  LGBTQ+ activist Gregory Rosenthal, the symposium will include a screening of the documentary film Born This Way and an open microphone session where members of the audience can comment and share stories.

“Zanele focuses chiefly on the black South African LGBTQIA+ community,” said Sinazo Chiya of the Stevenson gallery in South Africa, “but the significance of her work reverberates outwards to celebrate queer and marginalised communities the world over, which is crucial in our turbulent and often divisive social climate.”

Muholi is represented by the Yancey Richardson Gallery in New York City.

 

 

 


Islamic Art Loan Immerses Students in Object-Based Learning

Professor of Art Kathleen Nolan’s Islamic Art class is engaging in hands-on research with rare artifacts from the Near East, thanks to a loan of decorative objects from a West Virginia museum to Hollins University’s Eleanor D. Wilson Museum.

The Wilson Museum borrowed objects from the Huntington Museum of Art’s extensive collection of Near Eastern art, including rugs, pouring vessels, a traveling scribe set, a dish, a manuscript page firman, and bath sandals that date as far back as the 11th and 12th centuries and originated in Iran, Syria, and Turkey.

Islamic Art Class 1

“I am a big advocate of object-based learning and wanted Hollins students to have the opportunity to work with objects from the Near East. But, we didn’t have any in our permanent collection,” explains Jenine Culligan, curator and director of the Wilson Museum. Prior to coming to Hollins, Culligan was chief curator for 15 years at the Huntington Museum of Art and in 2010 was instrumental in working with Joseph and Omayma Touma on cataloging 400 Near Eastern objects they had donated to the museum. Culligan made arrangements to borrow eight of the objects through mid-December.

“When I found out that Professor Nolan was teaching an Islamic Art class,” she continues, “I broached the idea of allowing the students in the class to do research on these objects.”

NoIslamic Art Class 2lan praises Culligan for her efforts to make the objects available to her class. “The students and I are thrilled to have these. There was great excitement in the vault of the Wilson Museum when we got to experience these objects first-hand.”

Soon after coordinating the research initiative with Nolan, Culligan was approached by Professor of Political Science Ed Lynch about displaying the objects as part of the Appalachia Model Arab League Conference that Hollins is hosting November 10 -12. They will be on view during the conference in the Richard Wetherill Visual Arts Center along with additional Near Eastern objects on loan from the Roanoke community.

“These collaborations between the Wilson Museum and the art history department and the museum and the political science department seemed meant to be,” Culligan says.

 

Photos: Led by Wilson Museum Curator and Director Jenine Culligan, students from Professor Kathleen Nolan’s Islamic Art class investigate some of the Near Eastern objects on loan to the museum.

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Alumna, Renowned Portrait Artist Is Featured in “Covert Autobiography”

The Eleanor D. Wilson Museum at Hollins University is featuring a solo exhibition of recent work by a member of the class of 1967 who is also an internationally recognized portrait painter and photographer.

Annette Polan: Covert Autobiography is on display in the Wilson and Ballator-Thompson Galleries through Sunday, September 17.

The exhibition features an unusual combination of media including sculpture, painting, drawing, mixed media, and videos.  It “incorporates images of nature to explore issues of gender and age in our culture as well as in [Polan’s] own life. It investigates aspects of a single, mature woman who although powerful and confident, can feel disenfranchised, invisible, or muffled.”

Polan studied at the Tyler School of Art, Corcoran College of Art and Design, and École du Louvre. A noted instructor of contemporary American portraiture, she painted the official portraits of Justice Sandra Day O’Connor, former West Virginia Governor Gaston Caperton, and other leaders of government and industry.

Polan chaired and founded Faces of the Fallen, an exhibition of 1,323 portraits by 230 American artists that honored American service members who died in Afghanistan and Iraq between October 10, 2001, and November 11, 2004. In recognition of her leadership on that project, she was awarded the Chairman of the Joint Chiefs of Staff Outstanding Public Service Award.

The Wilson Museum is open Tuesday – Sunday, noon – 5 p.m., and Thursday, noon – 8 p.m. Admission is always free.


Wilson Museum Presents Senior Majors Exhibition

The Eleanor D. Wilson Museum at Hollins University is highlighting the work of seven studio art majors from the class of 2017 during the Senior Majors Exhibition, May 9 – May 21.

The exhibition is the final requirement for art students earning their bachelor’s degree and is the capstone experience of a yearlong senior project.

Studio art majors featured in the show include Natalie Marie Badawy, Suprima Bhele, Laura Carden, Samantha Dozal, Madi Hurley, Erin M. Leslie, and Maggie Perrin-Key. The exhibition will be on display in the Ballator-Thompson and Wilson Galleries.

The Wilson Museum will host an opening reception for the 2017 Senior Majors Exhibition on Tuesday, May 9, from 6 – 8 p.m. in the first floor lobby of the Richard Wetherill Visual Arts Center.

The Wilson Museum is open Tuesday – Sunday, noon to 5 p.m., and Thursdays, noon to 8 p.m.. Admission is always free.


International Photography Magazine Profiles Professor Robert Sulkin

The latest issue of Black + White Photography magazine features “The Experimental Professor,” an extensive look at the work of Professor of Art Robert Sulkin.

A member of the Hollins faculty since 1980, Sulkin is an award-winning photographer who has been featured in more than 100 solo and group shows, including exhibitions at the Chrysler Museum in Norfolk and the Virginia Museum of Fine Arts.

“He defines his career as a teacher as one of the biggest current influences on his artwork,” the article states.

“The teaching and artwork are symbiotic, then feed on one another,” Sulkin tells Black + White Photography. “I get excited when students do things that are good and that makes me want to go to my studio.”


Students, Faculty Give Flight to “Roanoke Wings” Art Installation

Hollins University students led by Associate Professor of Art Jennifer Anderson have constructed a new public art installation in downtown Roanoke.

“Roanoke Wings” is located in Market Square and features three sets of wings, each with their own unique design that ties into the history, charm, and people of Roanoke. The installation is free and accessible to anyone walking through downtown. Visitors will be invited to take pictures standing behind each Roanoke Wing and share them on social media with the hashtag #roanokewings. They are also encouraged to look closely and experience all that can be seen within these unique pieces of art.

“This project has been a crucial part of a public art class that I am teaching this semester,” Anderson said. “It’s given students the unique opportunity to create something that can be shared with the greater Roanoke community. Our goal was for the project to be colorful, engaging, and educational. And of course, we can’t wait to see the images that appear online.”

“Roanoke Wings” will remain on display through January 6, 2017, and is the result of a collaboration between Hollins, Downtown Roanoke, Inc., and the Roanoke Arts Commission. The installation is the first in a series of planned public art projects in downtown Roanoke.