Visiting Faculty

2019

dominic Taylor

Photo of Dominic TaylorTaylor is a Los Angeles based writer and director whose work has been seen all over the country. The Goodman Theatre, Steppenwolf Theatre, Ensemble Studio Theatre, and New York Theatre Workshop have all commissioned Taylor as a writer. His play, I Wish You Love, premiered at Penumbra Theatre, and was produced at both The Kennedy Center and at Hartford Stage in 2012. Hype Hero was developed at the Eugene O’Neill Theatre Center in Waterford, Conn., and was produced at Brown University in fall 2014. His written work includes Wedding Dance and Personal History, both produced at The Kennedy Center by the African Continuum Theatre and published by Playscripts.com. He is also sought after as a director. In 2016, he directed Alan Berks play with music Complicated Fun at the History Theatre in St. Paul, MN. In 2015, Taylor directed Alice Childress’ Trouble in Mind at Augsburg College in St. Paul. In 2014, he re-envisioned and directed a classic of the Harlem Renaissance, The Purple Flower, at Boston’s Factory Theatre, and incorporated shadow puppets as his characters. His directing projects have been as varied as the opera Fresh Faust at the Institute of Contemporary Art in Boston; The Negroes Burial Ground at The Kitchen in New York City; Destiny and Uppa Creek at Manhattan’s Dixon Place; Ride the Rhythm in the Hip-Hop Theatre Festival in Washington, D.C., and The Wiz at the University of Minnesota’s Rarig Center in Minneapolis. He also reimagined and restaged the Black Nativity for Penumbra Theatre. His next directing project will be a commercial musical, Selassie, which he will also write. He is an alumnus member of New Dramatists. He received his bachelor’s and master of fine arts degrees from Brown University and is a member of Stage Directors and Choreographers, a board member of the Givens Foundation for African American Literature, and an associate artistic director of America-in-Play. He is the former associate artistic director of Penumbra Theatre Company. He has taught at the University of Minnesota, Twin Cities, Bard College, City University of New York, Columbia College of Chicago, Bennington College, and Brown University. At present he is a full professor at UCLA, School of Theater, Film, and Television.  He joins Hollins University this summer as the Bob Moss Resident Professional Teaching Artist.

Courses:

  • Playscript Analysis and Criticism
  • Selected Dramatists: Contemporary Black Playwrights

Past Visiting Faculty include:

Kate Bredeson, Jonathan Dorf, Jeff Goode, Jason Grote, Samantha Macher, Stephen Sossaman, and Peter Ullian.


Planned Guests for Summer 2019

Because of the rotating nature of the program, faculty and guests are listed subject to availability. Please check this page frequently for updated information.

Becky Becker

Photo of Becky BeckerBecker is professor of theatre and chair of the department of performing arts at Clemson University. In addition to being a longstanding teacher of theatre history, dramaturgy, playwriting, and devising performance, she is a director, dramaturg, and playwright. Becker has directed a wide range of established works, as well as such new works as Compañeras, The Old Ship of Zion, and Eddie’s Stone Song: Odyssey of the First Pasaquoyan. She has conceived, written, and directed several oral history plays, including Westville: Collected Lives and Bibb City: Collected Lives from a Mill Town. Becker is chair of the National Playwriting Program for Region 4 of the Kennedy Center American College Theater Festival, serves on the publications committee for the Southeastern Theatre Conference (SETC), and is a past editor for Theatre Symposium: A Journal of the Southeastern Theatre Conference, Volumes 24 and 25. Her research interests include new plays, cross-cultural theatre, hidden histories, social justice, and embodied cognition. She has been published in various edited volumes and journals, including Theatre Journal, Feminist Teacher, Review: The Journal of Dramaturgy, and Theatre Symposium. Becker completed a B.S. Ed. in communication arts and a B.A. in English at Minot State University as well as an M.A. in theatre arts at the University of North Dakota, later earning her Ph.D. from Bowling Green State University. Prior to coming to Clemson University, she was professor of theatre at Columbus State University, also serving as assistant director for the Center for Global Engagement there, and previously associate professor of theatre at Truman State University.


Bob Moss

Photo of Bob MossMoss has been affiliated with Hollins Playwright’s Lab since 2009. He is lead faculty for the New Play Directing Certificate program and for the past five years has served as resident professional teaching artist for the M.F.A. program. He began his teaching career in 1983 at the Playwrights Horizons Theatre School, an affiliate program of NYU Tisch School of the Arts. In 1990 he took over as director of the school and continued teaching there until he left in 1997 for Syracuse University’s drama department. He has also taught directing at Ithaca College and SUNY Cortland. Moss has been an artistic director for 37 years, continues to direct regionally, and was recently named a living legend of Off-Off Broadway. He has served on the theatre panels of the National Endowment for the Arts and the New York State Council on the Arts, and the board of the Stage Directors and Choreographers Society.


Carl Hancock Rux

Photo of Carl Hancock RuxRux is an award-winning poet, playwright, novelist, essayist, and recording artist. Rux is the author of the novel, Asphalt (Simon Schuster), the OBIE Award winning play, Talk, and the Village Voice Literary prize-winning collection of poetry, Pagan Operetta. He is the former head of the M.F.A. Writing for Performance Program at the California Institute of the Arts (2006–09) and has taught or been in residence at the University San of California–Diego, Stanford University, the University of Massachusetts Amherst, Hollins University, the University of Iowa, and Brown University. He is the recipient of several awards including the Herb Alpert Prize, NYFA Prize, NYFA Gregory Millard Fellow, and NEA/TCG Artist-in-Residency Fellow.

http://carlhancockrux.com/


Planned Guest Respondents for Playwrights Festival 2019

Because of the rotating nature of the program, faculty and guests are listed subject to availability. Please check this page frequently for updated information.


Past Guest Speakers and Respondents include:

Liz Duffy Adams, Becky Becker, Mark Bly, Café Antarsia Ensemble, Mark Charney, Rick Cleveland, Erin Courtney, Joseph Craig, Annalisa Dias, Ken Dingledine, Laura Esping, David Faux, Kevin D. Ferguson, Kirsten Fitzgerald, Gary Garrison, Jason Aaron Goldberg, David Gothard, Larry Harbison W. David Hancock, Heather Helinsky, Mead Hunter, Toby Huss, Morgan Jenness, Christopher Jones, Melanie Joseph, Celise Kalke, Marya Sea Kaminski, Drea Lewis, Jessica Litwak, Todd London, Sarah Lunnie, Margaret McKowen, Paul Meshejian, Julie Mollenkamp, Ann G. Morgan, Brett Neveu, Robert Ross Parker, Robert Patrick, Ginger Poole, Craig Pospisil, Scott Proudfit,  Erin Quinn Purcell, Micahel Rau, Ron Riley, Randy Rollison, Jay Reiss, Tanya Saracho, Ed Sayles, Margo Lee Sherman, Kim Shively, Cheryl Snodgrass, Jim Stark, Gwydion Suilebhan, Jeffrey Sweet, Adam Szymkowicz, Dominic Taylor, Lucy Thurber, Naomi Wallace, Mac Wellman, Dwayne Yancey, Ernie Zulia