The Hollins-Mill Mountain Winter Festival of New Works, which each January showcases compelling new plays by students from the Playwright’s Lab at Hollins University, is headed online for 2021.
“Because of the ongoing coronavirus pandemic, we will be producing and performing the entire Winter Festival of New Works through the magic of Zoom,” said Ernie Zulia, artistic director and chair of the Hollins theatre department. Along with Playwright’s Lab Director Todd Ristau, he co-leads the Hollins Theatre Institute, which produces the Winter Festival annually in partnership with Roanoke’s Mill Mountain Theatre.
Taking place January 21 – 31, this year’s event is featuring two fully produced plays and two thesis play readings by Hollins playwrights. Each Zoom livestream is free and open to the public, but advanced reservations are encouraged as audience capacity is limited.
The 2021 schedule includes:
Missing Red Girls, written and directed by Max Bidasha
January 21-23, 7:30 p.m.
January 24, 2 p.m.
Based on true stories about Missing and Murdered Indigenous Women, and inspired by activist, storyteller, and mother Jennifer James, the play follows two families on their journeys to find their loved ones who were stolen from them. The families endure racism, many obstacles, and very few resources. Reserve tickets at BrownPaperTickets.com.
Saturday Fringe Spotlight: The Care Taker, written by Stephanie Goldman and directed by Michelle LoRicco
January 23, 2 p.m.
The complicated relationship of a mother and daughter gets even more complicated in this twisted love story when what is hidden in the closet is forced to come out. A wound that is hidden can never be healed. Reserve tickets at BrownPaperTickets.com.
Shadow of the Son, written by Kate Leslie and directed by Lauren Brooke Ellis
January 28-30, 7:30 p.m.
January 31, 2 p.m.
Artemis is the goddess of the moon, and her brother, Apollo, is the god of the sun. Expected to live up to the ideals of the immortals, Artemis longs for freedom and the opportunity to chart her own path. But when she builds her own world away from that of her father, has she simply traded one set of impossible expectations for another? Reserve tickets at BrownPaperTickets.com.
Saturday Fringe Spotlight: The Magic Stick, written by Erica Zephir and directed by Breana Venable
January 30, 2 p.m.
In this memory play, narrator Mary tells the story about returning home to her mother to escape spousal abuse. As she searches for happiness and fulfillment, she encounters many adversaries, and the aura of her husband haunts her. Reserve tickets at BrownPaperTickets.com.
Even though it is not able currently to present before in-person public audiences due to the COVID-19 pandemic, the Hollins Theatre Institute (HTI) will be offering fans of the stage the opportunity to attend a number of special virtual productions during the 2020-21 season.
“We are proud to be in the company of some of the best theatre schools in higher education and recognize what an honor it is for a program our size to be in the top ten,” said Ernie Zulia, HTI director. “We may be a small campus, but our vision is mighty and our sights are high.”
The 2020-21 public season begins with The Curious Incident of the Dog in the Night-time, which will be reformatted as a Zoom presentation and performed on October 16 and 17 at 7:30 p.m., and on October 18 at 2 p.m. Originally scheduled for production last spring, the drama is the winner of seven Olivier Awards and five Tony Awards, including Best Play, and is based on the bestselling novel by Mark Hadden.
The Curious Incident is the story of Christopher, a tenacious and intelligent teenager on the autistic spectrum who is better at solving equations than navigating a world that’s stubbornly out of sync with how his mind works. After being wrongly accused of murdering his neighbor’s dog, he resolves to find the real culprit. But, when his investigation uncovers painful truths about his family, he dares to strike out on his own, embarking on an adventure that upturns his whole world.
“The Curious Incident is a thrilling, heartwarming, and uplifting story,” said Zulia. It’s recommend for ages 12 and up due to strong language throughout the production.
Produced through the partnership between HTI and Mill Mountain Theatre, the 2021 Hollins-Mill Mountain Virtual Winter Festival of New Works will feature never-before-seen plays penned by playwrights from the Playwright’s Lab at Hollins University.
Written and directed by Max Bidasha, Missing Red Girls is based on true stories about missing and murdered indigenous women and follows two families on their journeys to find loved ones who were stolen from them. The families endure many obstacles, including racism and a lack of resources. A livestream of the play will be presented via Zoom, January 21-23 at 7:30 p.m., and January 24 at 2 p.m. Tickets are $5 general admission and will go on sale through BrownPaperTickets.com on December 1, 2020.
The Care Taker, written by Stephanie Goldman and directed by Clinton Johnston, looks at the complicated relationship between a mother and daughter and how a wound that is hidden can never be healed. The livestream via Zoom will take place January 23 at 2 p.m., and admission is free and open to the public. Tickets will be available through BrownPaperTickets.com on December 1, 2020.
In Kate Leslie’s Shadow of the Sun, directed by Daimien Matherson, Artemis is the goddess of the moon, and her brother, Apollo, is the god of the sun. Expected to live up to the ideals of the immortals, Artemis longs for freedom and the opportunity to chart her own path. But when she builds her own world, has she simply traded one set of impossible expectations for another? A Zoom livestream will be held January 28-30 at 7:30 p.m., and January 31 at 2 p.m. Tickets are $5 general admission and will go on sale through BrownPaperTickets.com on December 1, 2020.
Zulia said that the extent of COVID-19 restrictions on campus next semester will determine if and how HTI presents a Main Stage production in Spring 2021. Nevertheless, he stressed that “plans are under way for a dynamic production next April that will excite audiences online or in person. Stay tuned for more details as spring approaches.”
The Pulitzer Prize-winning book by Hollins University alumna and former U.S. Poet Laureate Natasha Trethewey is coming to Hollins Theatre.
Trethewey’s Native Guard, which received the Pulitzer Prize for poetry in 2007, will be presented in a theatrical reading with stunning visuals and live music on Sunday, March 8, at 7:30 p.m. on the theatre’s Main Stage. Admission is free with seating on a first-come, first-served basis. A conversation with Trethewey, who earned her M.A. from Hollins in 1991, will immediately follow the performance.
Native Guard juxtaposes the deeply personal experiences of Trethewey, a child of a then-illegal marriage between her African American mother and Caucasian father living in 1960s Mississippi, with the experience of a soldier in the Native Guard, the first African American Union troop in the Civil War. Years after her mother’s tragic death, Trethewey reclaims her memory, just as she reclaims the voices of the black soldiers whose service has been all but forgotten.
The evening of poetry and theatricality stars January LaVoy, an Atlanta-based actress best known for her role as Noelle Ortiz-Stubbs on the ABC daytime drama One Life to Live. She has appeared on Broadway and guest starred on several prime time network series, including Elementary, Blue Bloods, and N0S4A2. The cast also features Dominic Taylor, a writer, director, and scholar of African American theatre who is currently the resident professional teaching artist at Hollins Theatre, and Roanoke’s own Shawn Spencer, a renowned jazz and blues vocalist.
Native Guard is the second volume of poetry by Trethewey that Hollins Theatre has adapted for the stage. Bellocq’s Ophelia premiered in 2012 and the following year was one of five full productions from the southeastern United States chosen for performance at the Region IV Kennedy Center American College Theatre Festival.
The musical version of a beloved children’s story that has sold millions of copies around the world is coming back to Hollins University this fall.
Goodnight Moon: The Magical Musical returns to Hollins Theatre, October 19 – 26. Based on the 1945 book by Margaret Wise Brown, a member Hollins’ class of 1932, the tale of the bunny who won’t go to sleep was adapted for the stage by Chad Henry. It was first presented in 2011 as the inaugural production of the Hollins Legacy Series, which was created to reimagine the work of Hollins writers as plays, musicals, and original theatre pieces. Hollins Theatre featured a revival of Goodnight Moon in 2015.
“We are working to make this show a great tradition here in Roanoke and a wonderful gift from Hollins to the community,” says Ernie Zulia, director of the Hollins Theatre Institute. “Along with six public performances, we are scheduling four performances for schoolchildren and are expecting as many as 2,000 kids to arrive here on buses throughout the run of the show.”
Goodnight Moon comes to the stage with whimsical costumes designed by California designer Amanda Quivey, lighting by Hollins resident designer Ann Courtney, and scenery by Disney artist Ryan Wineinger. Zulia describes the stage set as “a wondrous room filled with toys and pictures that comes to life before your eyes. The kittens, the mittens, the red balloon, and the cow jumping over the moon are all there, along with a few surprises. Goodnight Moon really is for children of all ages – we are proud that thousands of people have already seen the show over the years, and now it’s here for a new generation to enjoy.”
Hollins Theatre’s Main Stage will host the public performances of Goodnight Moon: The Magical Musical on Saturday, October 19, at 11 a.m.; Sunday, October 20, at 2 p.m.; Thursday and Friday, October 24 and 25, at 7:30 p.m.; and Saturday, October 26, at 11 a.m. and 7:30 p.m. Tickets are $10 for adults, $5 for children under 12. For ticket sales and more information, visit www.hollins.edu/theatre or call the Hollins Theatre Box Office at (540) 362-6517.
The works of two Hollins playwrights were recently showcased at an event that champions gender parity, diversity, and inclusion in the American theatre.
She Made Space, written and performed by Meredith Cope-Levy ’12, M.F.A. ’18, and And Then the Moon Swallowed the Sky by Rachel Nelson ’07 were featured at the 2019 Women’s Theatre Festival (WTF), held July 12 – 14 in Raleigh, North Carolina. The WTF stages productions and readings that are written and directed by women and feature casts and crews that are at least 50 percent women.
She Made Space is an honest and touching story spotlighting a twenty-something intellectual American lesbian tourist who arrives in Paris at the turn of the 20th century. “The play traces the steps she has taken to get there in consideration of the occupation of space – both inside, and outside, of herself,” Cope-Levy explains.
“There was something incredibly gratifying about performing She Made Space, a show that celebrates queer communities and identity, in a queer-centric space,” she says. “The intimacy of it allowed the audience to interact with me in a way that has never really happened before. This is the first time I think this show has ever seen a predominantly female and queer audience. Having not performed the show myself since we workshopped it in 2016, it was also meaningful for me personally to put this character back on and share my words in such a physically personal way.”
A powerfully poignant play, And Then the Moon Swallowed the Sky explores moving through grief, together and alone. “On the eve of a total eclipse of the sun, three women throughout history each contemplate the things and people they have lost,” Nelson says. “As the light begins to fade, their stories become deeply intertwined in unexpected ways.”
She adds that crucial work was done with the production last winter in order to prepare it for venues such as the WTF. “This show was in residence at Hollins in January of this year, and that residency gave us incredible clarity about rewrites, which really paid off in this production. It also generated support with the students – after having seen it through multiple drafts, they really care about this show and have a vested interest in where it goes next.”
The staging of each play was made possible by all-Hollins casts and crews. She Made Space was directed by Lauren B. Ellis M.F.A. ’20 and stage managed by Shelby Love M.F.A. ’20. “Lauren has done such a brilliant job directing this production and this show is a true labor of love for us both,” Cope-Levy says. “We are hoping to take it back on the road to other fringe festivals.”
And because of the efforts of Susie Young ’10, Natalie Pendergast ’17, Kendall Comolli ’20, and Megan Gilbert ‘20, the production of And Then the Moon Swallowed the Sky persevered despite a significant setback.
“I had to evacuate my home in New Orleans due to Hurricane Barry the day before the festival, so I could only contribute long distance,” Nelson says, “and the team really had to rally at the last second. Susie stepped up as a director and performer, and her genius and fortitude really made this happen. She and I have been working on this play for three years now, and even though I wrote it, it’s based on a lot of conversations and explorations that we did together into grief. In so many ways she’s the heart of this project.
“I also want to thank Natalie for her performance; Kendall (the show’s original stage manager), who filled in as an actor; and Megan, who took over as stage manager. I am incredibly proud of all of them.”
“Of course we were bummed to not have Rachel with us,” Cope-Levy adds, “but her team demonstrated how important it is for theatre artists to be interdisciplinary – and how well Hollins prepares us for that.”
The Artistic Home, an entity designed by Nelson and Hollins Theatre Chair Ernie Zulia, is a major force behind the success of the two plays. “It supports recent Hollins grads through their first years in the professional theatre community by offering them connections with more established alumnae and current students. At the same time, they make exciting new theatre,” Nelson explains. “The WTF is a perfect example of the kind of work The Artistic Home does. There were several generations of Hollins family in collaboration – current Hollins students worked alongside Hollins professors and alumnae of the theatre program. This kind of cross-generation pollinating creates a team that mutually supports the growth of our young professional alumnae and enriches the education and professional experience of current Hollins students.”
“I physically felt my heart burst in witnessing The Artistic Home’s manifestation in these two back-to-back productions,” Cope-Levy says. “I also want to acknowledge the Playwright’s Lab at Hollins for its ardent support of She Made Space from our early workshops all the way through to this fringe festival tour.”
Nelson notes that “writing a play is often an isolating experience,” but her ties to Hollins ensure she doesn’t feel alone during the process. “I know I have the support of a community, and that I’m not writing into a vacuum. Events like this festival always remind me that the Hollins community is so much bigger than just the campus. It really does stretch around the world.”
Top Photo: Meredith Cope-Levy ’12, M.F.A. ’18 performs She Made Space, which she wrote.
“Every year, OnStage Blog deep dives into college theatre programs to find what we feel are some of the best in the nation,” the website explains. “While the perfect program is the one that fits best with the student, schools can become that fit with fantastic facilities, strong faculty, [and] multiple performance opportunities, among other things. In truth, there are some schools that do that better than others and should be recognized for it.”
“There are some really terrific programs in our state, so this is quite an honor,” said Ernie Zulia, artistic director and chair of the Hollins theatre department. “I thank our incredible theatre faculty and staff for their brilliance and hard work. They are what makes us shine.”
In its review, OnStage Blog touts Hollins for the internship opportunities it offers “at some of the country’s most prestigious professional theatres, including: Cleveland Play House, Houston’s Alley Theatre, Washington D.C.’s Arena Stage, New York’s Amas Musical Theatre, and Roanoke’s Mill Mountain Theatre. Other internships are being arranged at theatres around the country on a regular basis.”
Hollins Theatre is presenting a lively and novel production of one of William Shakespeare’s most beloved comedies.
A Midsummer Night’s Dream…in Motion!, a 60-minute express version of the play that has been charming audiences for more than 420 years, will be staged as an immersive theatre experience in multiple locations throughout the Hollins campus, November 28 – December 1.
“If you think you might enjoy running through the library stacks as if you were in the woods outside Athens chasing fairies, mechanicals, and young lovers, you may want to grab a ticket for this unique theatrical experience,” says Ernie Zulia, chair of the Hollins University theatre department, referencing the final two evenings of the show’s run at Hollins’ Wyndham Robertson Library. “Shakespeare holds a very sacred place on the Hollins campus.”
Jim Warren, distinguished visiting faculty and founding artistic director of the renowned American Shakespeare Center in Staunton, Va., adapted and directs the production “Getting to work with these remarkable Hollins women has been a delight for me. Together we navigated the pleasure of Tinker Day, Ring Night, and a million other commitments that make college life at Hollins such enchanting chaos. Getting to work on this play, with this cast, in this place, and making it a movable feast of the imagination has been an honor and a privilege.”
“What a joy it has been to host this terrific Shakespearean artist here at Hollins,” Zulia adds.
Midsummer will be performed at campus locations on the following dates and times:
Wednesday, November 28, 7:30 p.m.: Upstairs Studio Theatre (must be able to climb stairs)
Thursday, November 29, 7:30 p.m.: Botetourt Reading Room
Friday, November 30, 7 p.m. and 9 p.m.: Wyndham Robertson Library (SOLD OUT)
Saturday, December 1, 4:30 p.m. and 6:30 p.m.: Wyndham Robertson Library (SOLD OUT)
Admission is $10 general public, and Hollins students, faculty, and staff can obtain one free ticket each. For more information, call the Hollins Theatre Box Office at 362-6517.
Roanoke’s Mill Mountain Theatre (MMT) is paying tribute to a member of the Hollins University graduate program faculty by staging one of her acclaimed works for a special fundraising event.
On Saturday, November 10, MMT is presenting the play A Simple Gift by Nancy Ruth Patterson, who teaches in Hollins’ M.F.A. program in children’s book writing and illustrating and is celebrated for her creativity and devotion to her community. The goal of the fundraiser is to supplement generous grants from the Fishburn Foundation and the Helen S. and Charles G. Patterson, Jr. Charitable Foundation Trust to renovate MMT’s Waldron Stage into a “green space” venue. Tickets are $100 per person and can only be purchased in advance by contacting firstname.lastname@example.org. A portion of the ticket price will be a tax-exempt charitable gift to MMT.
A Simple Gift earned recognition as “A love song to the theatre…a love song to life” when it was first produced at MMT nearly a decade ago. The play is the story of two former residents of fictional Brownsville, North Carolina – one who found fame on Broadway and the other who became a children’s writer – who accept an invitation from an old teacher to return to their hometown to put on a performance as a gift to the place that raised them both.
Hollins President Emerita Nancy Gray is among the prominent Roanoke citizens who will be appearing in the play alongside some of MMT’s top veteran actors and several young local actors who are starting their careers.
The one-night-only performance of A Simple Gift will be preceded by a supper of favorites from Chanticleer Catering and an open bar beginning at 6:30 p.m. in the Atrium of Center in the Square.
After nine years, Hollins Theatre is returning to the scene of the crime with a revival of one of Broadway’s most celebrated musicals.
Hollins University’s theatre department is presenting a new production of the Tony Award-winning hit Chicago, April 12 – 15 and April 18 – 21. Tickets are $10 general admission, with one free ticket available to current Hollins students, faculty, and staff.
Director Ernie Zulia, Hollins Theatre’s artistic director and chair, believes Chicago’s tale of murder, greed, corruption, treachery, and show biz during the Roaring Twenties is more relevant to audiences than ever before. “Aside from being fantastic entertainment, the show has an even stronger resonance now because it shines such a powerful spotlight on manipulation of the media, fake news, spin, alternative facts, and a public that is hungry for the truth,” he explains. “Not that we are seeing any of that in the world today!”
Chicago also boasts strong connections to southwest Virginia. Two current Hollins students who are also residents of Roanoke play featured roles: senior Emma Sala portrays Velma Kelly, and Anna Holland, a junior, is cast as Roxie Hart. In addition, guest artist Kendall Payne, who plays Billy Flynn, is a professional actor originally from Pulaski. He is the nephew of local jazz legend William Penn.
Zulia says the show is a tribute to John Sailer, who was Hollins Theatre’s resident scenery and lighting designer for ten years and passed away suddenly in 2015.
“We have recreated his original design for Chicago, which was one of his best ever,” Zulia notes.
Featuring such hit songs as “All That Jazz” and “Razzle Dazzle,” Chicago is based on the play by Maurine Dallas Watkins. The show is not recommended for children.
Hollins Theatre is presenting the inventive and uproarious prequel to the classic story of the boy who refused to grow up: The Tony Award-winning play Peter and the Starcatcher will be featured October 19 – 22 at 7:30 p.m., and October 22 – 23 at 2 p.m., on the Hollins University Theatre Main Stage.
Based on the bestselling novel by Dave Barry and Ridley Pearson, Peter and the Starcatcher is the story of a 13-year-old apprentice starcatcher named Molly, who navigates a world of pirates and sailors, orphans, and savages while Peter Pan learns to fly.
According to Ernie Zulia, director of the Hollins Theatre Institute, “The play by Rick Elise was created with adult audiences in mind, but clever children have also been spotted enjoying its delightful charms.”
Tickets are $10 general admission, with one free ticket available to current Hollins students, faculty, and staff. For more information, call the Hollins Theatre Box Office at (540) 362-6517 or visit www.hollins.edu/theatre.